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24 Janvier 2021
Adobe Premiere Pro is the industry-leading video editing software. Creative tools, integration with other apps and services, and the power of Adobe Sensei help you craft footage into polished films and videos. Your free trial starts when you check out and it lasts for seven days. About Adobe Premiere Pro. Premiere Pro is the industry-leading video editing software for film, TV, and the web. Creative tools, integration with other apps and services, and the power of Adobe Sensei help you craft footage into polished films and videos. With Premiere Rush you can create and edit new projects from any device. Adobe Premiere Pro is a feature-packed video editing software that includes various features, such as advanced audio options and collaborative tools with other Adobe software. Premiere Pro offers an expanded multi-cam editing option that allows for simple assembly of sequences, regardless of the number of cameras used for filming. Adobe® Premiere® Pro CS6 software combines incredible performance with a sleek, revamped user interface and a host of fantastic new creative features, including Warp Stabilizer for stabilizing. Adobe Premiere Pro is a feature-packed video editing software that includes various features, such as advanced audio options and collaborative tools with other Adobe software. Premiere Pro offers an expanded multi-cam editing option that allows for simple assembly of sequences, regardless of the number of cameras used for filming.
Adobe® Premiere® Pro CS6 software combines incredible performance with a sleek, revamped user interface and a host of fantastic new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more. Ready to switch to the ultimate toolset for video pros?
Work natively with the latest mobile, DSLR, HD, and RAW formats; edit, trim, and adjust effects in real time; stabilize shaky footage; and enjoy a sleek, revamped user interface and expanded multicam support. Over 50 enhancements make switching to Adobe® Premiere® Pro CS6 software easy.
Streamlined, highly intuitive user interface
See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever.
Enhanced Mercury Playback Engine
Work dramatically faster thanks to sweeping performance, stability enhancements, and support for NVIDIA Maximus dual-GPU configurations and certain MacBook Pro OpenCL-based AMD GPUs.† Adobe Mercury Transmit enhances integration with third-party I/O devices.
Fluid, high-performance editing workflow
Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.
Dynamic timeline trimming
Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.
Warp Stabilizer effect
Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in Adobe After Effects® software. The new GPU-accelerated Warp Stabilizer removes jitter and rolling shutter artifacts and other motion-related irregularities.
Expanded multicam editing
Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots.
More intuitive Three-Way Color Corrector
Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Adobe Photoshop® style auto-correct functions.
New adjustment layers
Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot.
Improved, customizable monitor panels
Work the way you want and edit more fluidly. A less cluttered, customizable interface lets you focus on your media by letting you choose which buttons to show or hide in the monitor panels.
Even faster Project panel workflows Pdf software for mac free download.
View, sort, and arrange media easier than ever with the redesigned Project panel. Edit faster with the ability to scrub and skim clips, set in and out points, and resize clip thumbnails.
Native DSLR camera support
Work natively with the footage shot with the latest video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC®, and RED Scarlet-X cameras. Native support lets you start editing immediately, without transcoding or rewrapping the footage.
Enhanced, flexible audio tracks
Freely combine and pan mono and stereo clips. For more advanced audio workflows, new Multichannel master and Adaptive track types enable total audio routing flexibility and easy export to multichannel file types.
Adobe Prelude CS6 integration
Use Adobe Prelude to efficiently log footage, add comments and markers, and create rough cuts that can be brought into Adobe Premiere Pro. Comments and markers are associated with the media, making it easy to organize.
Adobe SpeedGrade CS6 integration
Easily export your Adobe Premiere Pro sequences into SpeedGrade CS6 for a complete finishing solution. Easily handle grading tasks like matching shots and creating consistent nuanced color to visually enhance your projects.
Uninterrupted playback
Edit, apply filters, and adjust their parameters, all during playback. Dynamically preview video by looping playback and adjusting parameters on the fly, thanks to the Mercury Playback Engine. (May require a supported GPU.)
Rolling Shutter Repair effect
Easily repair media with rolling shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, this powerful effect can be applied without stabilization and offers enhanced controls.
New Preset Browser
Access commonly used settings immediately using the new Preset Browser in Adobe Media Encoder CS6. Organize presets by category, set favorites, and customize your most frequently used encoding presets.
Performance and stability improvements
Encode video faster when outputting a single source to multiple outputs with Adobe Media Encoder CS6. Get a significant performance boost when using watch folders on a network.
New RED EPIC and RED Scarlet-X support
Windows 10 free graphic design software. Take advantage of new support for RED EPIC 5K and RED Scarlet-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats.
More popular device and format presets
Save time and encode content more easily by using Adobe Media Encoder presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
New 64-bit Adobe Encore CS6
Speed up your authoring workflow and get rock-solid performance and stability with Adobe Encore® CS6, now natively 64 bit. Open and save projects faster, and get dramatic performance working on demanding projects.
Faster MPEG import
Bring MPEG assets into Encore CS6 even faster as multiple import processes happen simultaneously in the background.
Operating system requirement:
Adobe Premiere Pro CS6 requires a 64-bit operating system.
Trial limitations:
Adobe Encore® CS6 is not available as a trial. Encore CS6 will be installed as part of the trial for Adobe Premiere Pro CS6, Creative Suite® 6 Production Premium, and Creative Suite 6 Master Collection but will not be available for use until you purchase.
While Adobe may be the top choice of NLE for most indie filmmakers, DIY production houses, and beginners (and even the choice for large scale productions such as Gone Girl), the steep $50 per month subscription charge is enough to drive some people away from the highly-rated editing suite.
There are a plethora of choices out there that are either free to use or require an up-front cost. Tons of creators are turning to these alternatives when looking for their preferred NLE. So, today we're going to dive into all the choices you have on the market — their pros, cons, and price — so you can decide for yourself if you want to make the switch.
I'm starting off with DaVinci Resolve because this is my absolute first choice for a free, incredibly powerful, and intuitive NLE. There's a big shift going on in the indie circuit when it comes to Resolve. We've seen a huge uptick in creators switching over to Resolve due to its availability and reliability.
One of DaVinci's biggest draws is its color correction and grading platform. It's by far the top choice for professional color graders for correcting and grading footage. The software also beats out Adobe's Lumetri Color by a long shot.
With recent updates, it's upgraded both Fairlight and Fusion VFX — their audio and VFX tabs within the program. Their edit page isn't too shabby either. It's a full stop edit suite that can get down and dirty with a complicated timeline. It's also a one stop shop for a professional edit, and has most (and in some cases, more) features than all of the Adobe suite programs combined.
If you want to learn more about DaVinci Resolve and get to learning it, download the program for free and follow along with our multiple tutorials by Lewis McGregor to get yourself acquainted.
Ahh, Avid — the one NLE that editors love to hate. I trained in Avid in college, and as much as I hated slogging through the textbook and the antiquated features of the program, I grew to love it in a weird way. It's incredible at handling feature-length projects, and the organization tools inside of the program are hard to match. It won't blink at high resolution video, or shy away from a monster timeline. It's the workhorse of all of the NLEs out there.
It's still the overwhelming choice of NLE for most Hollywood-level productions due to its enterprise and project-sharing abilities. And, I will say, after the upgrades in the recent update it looks a lot friendlier and modern compared to the blocky grey blob it used to be. If you are serious about becoming an editor for a post house or grinding your way to entering the ACE guild, Avid is the right choice.
Final Cut Pro X is historically Premiere's top competitor in the indie NLE market. I was brought up in the editing world during the heated battle between Final Cut and Premiere users. It was a gruesome battle between editors — I even almost got fired from a gig early in my career for arguing with my boss about using Final Cut over Premiere. Even though I may be committing a cardinal sin amongst Premiere users for suggesting Final Cut over Premiere, I'm going to write this with as little bias as possible.
Final Cut is a solid, simple editing platform. It may be joked about as being 'iMovie Plus,' but it's actually got some serious horsepower behind its simple, friendly exterior. One of my favorite parts about Final Cut is its ability to take complicated editing tasks and condensing them into an incredibly easy to use, drag and drop effect. I started doing a few projects within the program this past year, and there were times that I was able to use effects that took me thirty seconds which would have taken me five minutes in Premiere to execute.
They've really put the work in to make it a professional-level NLE, and it's motion and audio editing platforms within the program are easy to use and incredibly clean. One of the main problems I have with Final Cut though is its organization flow. The project and clip window is a mess to me, and hard to organize. But, for a small project, it's by far the fastest way to get a clean edit.
HitFilm Express is probably the closest program to Premiere that you are going to find. It's simple, extremely intuitive, and best of all, it's FREE.
HitFilm Express is the go-to choice for a lot of editors that like the simplicity of Premiere, but don't want to pay the monthly tithe to Adobe. It's got some serious punching power for a free program, and it's also pretty great for a simple edit. It may not be at the level as the other programs on here, but it's one of my first recommendations for an editor just getting into the game who doesn't want to drop a bunch of money on an editing program, or doesn't have the time to get acquainted with Resolve.
HitFilm also offers their pro version for $299, which offers a plethora of extra effects and programs. If you want to learn more about HitFilm, they have an extremely active YouTube channel with tutorials and walkthroughs of their program.
Vegas has always been the scrappy little brother in the fight for the top NLE. It's never really taken a chunk out of the market share, but it is still loved and adored by its hardcore fans and users. What I've found with NLEs is that you usually stick with the one that you learned on. For most folks who were editing Call of Duty screen captures for Youtube in the early 2010s, Vegas was the editor of choice.
Now Vegas is a fully fledged NLE with all of the features that you would need. But, to be honest, even with their new update it still looks like it's stuck in 2015. The UX is clunky, and the design of the program looks a bit outdated. Still, it's used around the world as a go-to editor. The price point is pretty steep for a smaller program (especially when you have Resolve available for free), but it's still a solid option when shopping around for your new program.
Cover image via Antonio Guillem.
Want more insider tips on video editing? Check these out.
No, Premiere Pro and the latest versions of Creative Cloud apps are only available with a month-to-month or annual plan.
Yes, with Premiere Pro you have access to all the latest updates and future releases the moment they're available.
The annual plan requires a one-year commitment and is our best value. It comes with a 14-day money back guarantee. If you cancel after that, you'll be charged a 50% fee for the remaining months. The month-to-month plan gives you the flexibility to stop and restart your subscription without a cancellation fee.
Your Creative Cloud desktop applications — including Premiere Pro — are installed locally on your computer. You don't need an ongoing Internet connection to use them. You only need to connect to the Internet once every 99 days to validate your membership.
Yes, you can install and run Creative Cloud desktop apps on two computers, such as a home and work computer (Mac, PC or one of each).
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